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Reviewer Pamela Peaks' PamelaPeaksInTheKitchen.com

Kayden Kross at Twistys

March 26, 2013 04:05am
Obedience School ~ Reviewer Rated
Source: Rich Moreland
by: Company Press Release

Obedience School Obedience School, starring Kendra Lust, Gia DiMarco, Bonnie Rotten, Dana DeArmond, Lea Lexis, Alice Frost, Maddy OíReilly, Billy Hart, Michael Vegas, Danny Wilde, Alec Knight, Mr. Pete, directed by Kevin Moore. -- Rich Moreland Reviewer Rated: Rewind and Watch Again

Obedience School is four vignettes that donít necessarily relate to a school, but certainly have lots of sex the Evil Angel way. Keeping with John Staglianoís philosophy of sex comes before story and butts are at the top of the carnal menu, director Kevin Moore has a pretty good film on his hands.

The first two scenes tap into common fantasies. The DVD opens on a "hot for teacher" theme with busty Kendra Lust as the favorite instructor every schoolboy would like to nail. Billy Hart and Michael Vegas step into the picture as two punks serving detention. They move on their teacher and lots of steamy action, especially oral and anal, lights up her desk. Kendra handles both co-stars with rapt attention, satisfying their demands to fill all her feminine orifices.

The second scene involves two office workers who are tired of their ogre boss (Danny Wylde). Gia DiMarco is the secretary he reams out, verbally at the beginning, physically later on. Dreaming of revenge, she kidnaps him but loses her nerve and calls on her office mate, Bonnie Rotten, for help. The busty girls use a bit of alcohol and cocaine to build up their courage so they can torment the captured executive. Thereís hot girl-girl action and, like the other scenes in Obedience School, lots of spitting, slapping, choking, and anal play. For viewers who have a taste for tattooed babes, this scene is a winner. Director Moore employs an interesting concept in the shoot. Drug induced psychedelic images in which all three performers are demonic in appearance flash in and out of the scene.

Featuring the sultry Dana DeArmond, the third scene is by far the best. She receives an invitation, accompanied by a mask, to a bondage club. Her hesitation is obvious; she bites her lip (where are you Anastasia Steele?) and is led ever so gingerly into the action. Dana is a veteran BDSM submissive, having filmed many times for Kink.com. Her performance is superb, she takes a nice flogging and even squirts for fans of that fetish. Romanian star Lea Lexis complements Dana as the other sub who is sexually ravished. Together they take ATM, sucking, and anal to another level. Mr. Pete and Alec Knight are the lucky doms. By the way, the actors are in masks which may not be for every viewer. This segment of Obedience School is dark, sensuous, and the most artistic of the vignettes.

The final scene is pure gonzo with Maddy OíReilly's sexuality squarely in the cameraís eye which follows her so closely sometimes it distorts her features. Thereís an appealing bondage segment when Maddy is captured by an intruder, tied in a closet, and forced to orally satisfy him. The shoot has an assault overtone to it, but it is muted and Maddy clearly enjoys herself.

Director Kevin Moore deserves a special comment. He knows how to frame a shoot so that all players are given equal billing. Balancing out a scene, Moore shoots faces and bodies in their entirety which means he must move the camera away from extreme close-ups. Males are more than dicks in the corner and female performers more than holes to fill. Moore keeps his camera moving around the players to offer different angles of the sex, much like an artistís perspective on all parts of his work. In the best John Stagliano tradition, female satisfaction is in clear focus. The only shortfall is the pace. Sometimes it slows, more so in the first two segments, but thatís a trifling complaint.

Because each vignette has a different appeal, my rating is "Rewind and Watch Again," knowing that scene three deserves "Power ON."

Pornography feminists unshackle their desires and celebrate their sexuality in the patriarchal world

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