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Brea Bennett at Twistys

September 25, 2000 09:00pm
WHACK ATTACK #8 TO PREMIERE DURING E-DAYS
Source: Extreme Associates
by: Company Press Release

(VAN NUYS, CA) -- After three grueling weeks in the editing bay, Tom Byron has just finished the final cut on Whack Attack #8, Straight Up Their Candy Asses. Whack #8, which will be released on October 3rd, will also mark the debut of the much-hyped new Extreme Associates box cover design, the design that Byron's partner Rob Black insists will "revolutionize the business."

"I can honestly say that this video is probably the best I have ever done." Byron boasts. "The girls are of the highest caliber, the sex is of five-star quality, and I did things in it that make me want to pull out my dick and jackoff. And, as most pornographers know, that is probably the highest compliment you can give yourself."

Whack Attack #8 stars Jewel De'Nyle, Bridgette Kerkove, Suzanne Storm, Raquel Moore, Claudia Adkins, Bridget Powerz, Nikita Denise, and Monica and opens with an explosive tryst between Byron and De' Nyle. The scene starts off with one of Byron's patented montages, the ones in which the girl about to get fucked always looks like a fashion model and the ones that have been copied again and again by every Tom, Dick, and Harry in the business, but never up to Byron's high standard. De' Nyle looks as glamorous and beautiful as she ever has on film and the buildup to the actual hardcore sex is so erotic that, by the time the fucking and sucking take place, you'll probably already have dropped a load or two. De' Nyle, no doubt, seems to be genuinely excited about working with Byron for the first time as the opening verbal exchange between the pair is as real, genuine, and hot as you can get. After a volcanic, saliva-spewing BJ, some intense ass-eating (De'Nyle's butt is so perfectly round it's almost a work of art) and some hardcore vaginal pounding, Byron literally tears open the gorgeous brunette's asshole, as if this bout of sodomy was long, long overdue. Byron then pounds the wanton shitter incessantly in at least three different positions and De'Nyle just can't seem to get enough. When the award-winning starlet is on top of The Icon with her bunghole grinding and thrusting on his swollen man-meat, trust me, you will nut.

AVN Starlet of the Year Bridgette Kerkove and relative newcummer Suzanne Storm are up next, paired with the perpetually horny Lucky Luciano. Luciano, a highly-lauded in-house director at Extreme, does his bosses proud, putting the luscious trollops through a series of anal exercises that include ass eating, ass spitting and the girls sucking each other's dirty assholes. Looch utters a classic line during a blow job as his dick literally stretches Storm's left cheek so wide, her face looks like a squirrel storing nuts: "Hey, bitch, I think your head is made of rubber." Kerkove and Storm are two nasty sluts and, like two vampires whose life sustenance is cum, they fight over Looch's bloated salami as if their very lives depended on it. Kerkove yank's Looch's cock right out of Storm's kaboose and devours the pepperoni again and again. Storm does likewise.

Mule-dicked Lee Stone plows newcummer Raquel Moore in Scene 3. Moore has the face of a Cosmopolitan cover girl and a kick-ass full-figure to go with it. And, more importantly, Moore easily takes all 12 inches of Stone's unnatural organ all the way up her tight kiester, all the while calling the oversized sword slinger a "fuckhead, a slut, and a piece of shit." Moore does have a knockout body, but her voice is so freakin' whiny and irritating, there is a great deal of sadistic satisfaction to be derived when Stone slams his package so deep into Moore's browneye, the sheer pain of it finally shuts her up.

Looch encores with Russian import Claudia Adkins. With a bubble ass and an even more bubbly personality, Claudia starts off the scene giggling and laughing for no apparent reason, which seems to perplex, and alternately piss off, the always-inquisitive Sicilian. It isn't long, however, before Looch is beating Adkin's chuff a beet red, spitting loogies into her ass crack, deep-fingering her butt, slapping her in the face, and fucking her hump hole so hard, the Russian defector's eyes literally roll back in her head. It's fun to watch Adkin's state of haughty giddiness quickly change into one of complete submission. This is real shit too, not choreographed or scripted.

Next up Byron takes on the diminutive Bridget Powerz, giving her tiny can a big-man's reaming. Byron says that he didn't shoot Bridgette for the curiosity factor and that his goal was to make her look desirable and sexy. "l want fans to have a new appreciation of little people." Byron confesses, "Bridget actually looks really hot and you want to fuck her. That's what I'm proudest of about this scene."

The vid's coup de grace is the luscious Nikita Denise and French fireball Monica. The opening is vintage Byron. In a montage that in and of itself will detonate testicle grease, glamour images of Denise and Monica play against a backdrop of Byron on tenor sax playing an unforgettable tribute to Sinatra's Summer Wind. It is atmospheric and moody, with a feel of New York City in the fall of 1957. It's a little vignette that is so smooth and erotic, you'll find yourself watching it over and over like a music video. Not to be outdone, Denise and Monica take turns on the horseschlong of Stone. With more rimming, assfucking, ass-to mouth, ass-to-mouth-to-ass-to-mouth, ass-eating, saliva-dripping hardcore action, this scene ranks right up there with every other one in this truly great gonzo video. And that's what makes Whack Attack #8: Straight Up Their Candy Asses so memorable. There is not a bad performance in it. Every one is truly of the highest caliber.

Byron says that, unlike all of the other "gonzo" directors in the business only he shoots gonzo in its purest form. "Believe me," the legend says, "I've worked for every gonzo director out there, and almost every one of them tells the performers what to say, what to do and when to do it. I absolutely do not. I let the performers do their thing and I just shoot. And, unlike the other guys, I'm not in love with the sound of my own voice. Everything you see in a Tom Byron video is 100% real. I don't fancy myself a filmmaker or an artist: I'm a pornographer and a pervert who simply makes movies for people like me to jack off to. And that philosophy has never changed in more than eighteen years in the business."

Whack Attack #8: Straight Up Their Candy Asses hits the streets on October 3rd during Extreme's October E-Days.

Pornography feminists unshackle their desires and celebrate their sexuality in the patriarchal world


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